This book celebrates escapes from the flatlands of both paper and computer screen, showing superb displays of high-dimensional complex data. The most design-oriented of Edward Tufte's books, Envisioning Information shows maps, charts, scientific presentations, diagrams, computer interfaces, statistical graphics and tables, stereo photographs, guidebooks, courtroom exhibits, tim...(展开全部)

This book celebrates escapes from the flatlands of both paper and computer screen, showing superb displays of high-dimensional complex data. The most design-oriented of Edward Tufte's books, Envisioning Information shows maps, charts, scientific presentations, diagrams, computer interfaces, statistical graphics and tables, stereo photographs, guidebooks, courtroom exhibits, tim...(展开全部)

本作参考《Lain》 一篇意识流短篇 当现实的裂缝开始蔓延，两位孤独的灵魂在数据的残骸中相遇。空田东野在上野的白色房间里整理被遗忘的数字碎片，惠野爱在横滨的蓝色房间中记录现实的异常乱码。他们发现物理与虚拟的边界正在溶解，并被迫在崩溃的肉身现...

Examples of world-renowned masters of architecture are used in this enlightening book that explores the "why" of architectural drawing, rather than the "how." By emphasizing the value of drawing over technique, the authors demonstrate how the drawing itself influences the designer's processes of thought, and exerts its own pull on the evolution of the concept.

“Nobody knows better than Bruce Sterling how thin the membrane between science fiction and real life has become, a state he correctly depicts as both thrilling and terrifying in this frisky, literate, clear-eyed sketch of the next half-century. Like all of the most interesting futurists, Sterling isn’t just talking about machines and biochemistry: what he really cares about are...(展开全部)

foreword by Richard Saul Wurman Information design is the newest of the design disciplines. As a sign of our times, when the crafting of messages and meaning is so central to our lives, information design is not only important--it is essential. Contemporary information designers seek to edify more than to persuade, to exchange more than to foist upon. With ever more powerful te...(展开全部)

Sandra Rendgen studied art history and cultural studies in Berlin and Amsterdam. Her work both as an editor and in developing concepts for media installations concentrates at the interface between image culture and technology, with a particular focus on data visualization, interactive media and the history of how information is conveyed. She is the author of TASCHEN’s Informati...(展开全部)

Sandra Rendgen studied art history and cultural studies in Berlin and Amsterdam. Her work both as an editor and in developing concepts for media installations concentrates at the interface between image culture and technology, with a particular focus on data visualization, interactive media and the history of how information is conveyed. She is the author of TASCHEN’s Informati...(展开全部)